Aisling Sans Typeface
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2025 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Best Design Italy ᱤᱴᱟᱞᱤ ᱨᱮᱭᱟᱜ ᱱᱤᱛᱚᱜᱟᱜ ᱠᱟᱹᱞᱟᱹ, ᱵᱷᱟᱹᱞ ᱱᱚᱠᱥᱟ ᱟᱨ ᱢᱟᱨᱟᱝ ᱥᱛᱷᱟᱯᱚᱛᱭᱚ ᱩᱫᱩᱜᱟ. ᱤᱴᱟᱞᱤ ᱨᱮᱭᱟᱜ ᱥᱮᱨᱟ ᱱᱚᱠᱥᱟ ᱟᱨ ᱱᱚᱶᱟ ᱥᱮᱨᱟ ᱠᱟᱹᱢᱤ ᱛᱮᱭᱟᱨᱤᱡ ᱦᱟᱦᱟᱲᱟᱜ ᱱᱚᱠᱥᱟᱠᱟᱨ, ᱠᱟᱹᱞᱟᱹᱠᱟᱨ, ᱟᱨ ᱥᱛᱷᱟᱯᱚᱛᱤ ᱠᱚ ᱯᱟᱱᱛᱮ ᱯᱮ.
ᱜᱨᱟᱯᱷᱤᱠ ᱴᱮᱜᱽ ᱧᱮᱞ ᱢᱮ. ᱥᱮᱨᱟ ᱤᱴᱟᱞᱤᱭᱟᱱ ᱱᱚᱠᱥᱟᱠᱟᱨ ᱟᱨ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱜᱨᱟᱯᱷᱤᱠ ᱛᱷᱚᱠ ᱨᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱡᱤᱛᱟᱹᱣ ᱛᱮᱭᱟᱨ ᱡᱤᱱᱤᱥ, ᱯᱨᱚᱠᱚᱞᱯᱚ ᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2025 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2024 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2023 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Henry Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2023 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2023 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Ragu Communication ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Martin Reznik ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Lateral Creative Hub ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2021 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2026 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb and Moira Bartoloni ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2025 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb and Moira Bartoloni ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2025 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Cristian Carrara ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2024 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2024 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2024 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Akomi ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2023 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Max Bosio - Nascent Design team ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2017 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Jekyll and Hyde - Fabrizio Schiavi ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2017 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Cristian Carrara ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb and Moira Bartoloni ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Matteo Ruisi and Peter McCabe ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb and Moira Bartoloni ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2021 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Paul Robb ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2021 ᱨᱮ ᱤᱴᱟᱞᱤ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
ᱞᱚᱛᱷᱟ ᱪᱤᱛᱟᱨ ᱛᱮ ᱰᱤᱡᱟᱤᱱ ᱥᱚᱨᱥᱟ ᱠᱚ ᱧᱮᱞ ᱠᱮᱛᱮ ᱟᱨ ᱥᱟᱯᱷᱟ ᱢᱮ᱾ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢᱠᱟᱱ ᱯᱨᱚᱫᱩᱠᱴ ᱟᱨ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱚ ᱡᱤᱣᱤ ᱮᱢ ᱮᱱ ᱵᱷᱚᱨᱟᱣ ᱪᱤᱛᱟᱨ ᱫᱚᱠᱩᱢᱮᱱᱴᱮᱥᱚᱱ ᱵᱮᱵᱷᱟᱨ ᱢᱮ᱾
Limn ᱧᱮᱞ ᱢᱮᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱ ᱰᱤᱡᱟᱤᱱ ᱠᱚᱱᱴᱮᱱᱴ ᱧᱟᱢ ᱢᱮ ᱡᱟᱦᱟᱸ ᱫᱚ ᱛᱷᱚᱠ ᱛᱷᱚᱠ ᱵᱮᱥ ᱯᱷᱚᱞᱟᱣ ᱠᱚ ᱨᱮ ᱯᱷᱮᱨᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱠᱷᱟᱸᱴᱤ ᱡᱟᱪ ᱛᱮ ᱡᱟᱪ ᱟᱠᱟᱱ ᱤᱱᱚᱵᱷᱮᱥᱚᱱ ᱯᱨᱚᱫᱩᱠᱴ ᱟᱨ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱚ ᱠᱷᱚᱡ ᱧᱟᱢ ᱢᱮ᱾
DXGN ᱧᱮᱞ ᱢᱮᱟᱢᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ A' Design Awards ᱨᱮ ᱡᱚᱢᱟᱭ ᱢᱮ, Best Design Italy ᱨᱮ ᱛᱟᱹᱞᱠᱟᱹᱭᱚᱜ ᱢᱮ ᱟᱨ ᱜᱚᱴᱟ ᱡᱮᱜᱮᱛ ᱨᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ.
ᱟᱢᱟᱜ ᱵᱷᱟᱹᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱞᱟᱹᱜᱤᱫ ᱱᱤᱛᱚᱜ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ